Get in line.Ī drummer, the son of a DJ and a student of New Orleans' many music traditions, the scene vet Mannie Fresh became a visionary for Cash Money Records. A repertoire of localized chants and dance moves emerged: What project you rep? What ward you from? Where dey at? Do the Eddie Bow. As they did with okra and sugar, New Orleaneans constantly adapted the tinny, arpeggiated sample - stretching it, warping it, chopping it and freaking it into myriad shapes. Beyond a signature of bounce, it was a catalyst for creativity. Noticing the enthusiastic crowd response to the xylophone-like refrain from The Showboys' 1986 proto-gangsta rap song "Drag Rap," mix-masters like DJ Irv, Mannie Fresh and DJ Jimi popularized what is commonly known as the Triggerman loop. But one source from farther away - Queens, New York - would become the linchpin of the sound. Funkadelic said free your mind and your ass will follow, but in New Orleans the command applied in reverse: Loosened rumps and shoulders freed tongues to be playful and cutting.īounce, the foundation of New Orleans rap, originates in the 1980s, with crews like New York Incorporated, Magician DJs and Sugar Brown Clowns hosting gigs. Over the next century-plus, despite Jim Crow, lynchings and hurricanes, the people of the Big Easy kept joyfully reveling in public, their assemblies of brass bands, dancers and mourners laying the foundation for one of rap's most enduring and colorful scenes. The jamboree became one of the Crescent City's earliest second lines, a homegrown tradition of treating hardship as a license to flood the streets with buoyant bodies and exuberant music. Though the Civil War was still raging, the throngs recognized the minor victory in Louisiana, a pillar of the South's brutal plantation economy, abolishing slavery in its new constitution a month earlier. On June 11, 1864, Black New Orleanians paraded through their city, cheering, singing and strutting. As it celebrates its 50th birthday, we are mapping hip-hop's story on a local level, with more than a dozen city-specific histories of the music and culture.
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